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Advanced registration is now closed.
Onsite registration is available.
You must purchase ticket 30 minute in advance to attend a workshop.
Go to conference registration at the Crowne Plaza Hotel.


Four amazing, intense workshops focused to develop your skills
Each workshop is limited to 20 Writers.


The Five Skills You Must Master to
Write a Viable Novel or Memoir


Saturday, November 5, 9 am to noon

with agent/editor/writing mentor,
Toni Lopopolo

This workshop presents the five most important skills that writers must master in order to write viable novels/ narrative nonfiction, which includes memoir. The course covers the importance of mastering Fiction Techniques for all types of narrative writing: Narrative= story. Bring the first 2 pages of your novel/memoir for Toni to read aloud, time permitting, and a list of questions to ask Toni.
 
The Skills in this interactive workshop include:
  • Voice—how to achieve the best voice for your character(s)
  • Point of View (all-important for voice)
  • Dialog differentiation, dialog vs conversation
  • Character—quick methods to establish character in one or two lines.
  • Self-Editing – includes: why in your scenes, chapters, novel/book you must come in late, leave early, Plus a list of important tips for today’s fiction and nonfiction to cover best self-editing techniques.
 
After this workshop, with the three most important books writer must own,, you’ll go home to: revise, revise, revise.  Bring on those questions.
Three packed hours for $99. 
Register now!
Limited to 20 writers.


How to Open a Story, Close a Scene,
and End a Novel


Saturday, November 5, 2:15 to 5:15 pm
with author, editor and USC masters of
writing instructor, Shelly Lowenkopf

Story opens in ways that plunge characters into chaos and the consequential need to make choices. Readers look for cues of something unexpected or destabilizing as they crash down on someone they can relate to, attempting to cope, followed by hints of which character will be the guide through the resulting chaos. How, for instance, Dorothy sought ways to get out of Oz and back to Kansas.

This three-hour session stresses the need to start the dramatic narrative with significant, relevant action, emphasizing with an analysis of several effective beginnings the necessary elements to engage and hold the reader’s focus, including editorial guidance for things to avoid.

The scene is the DNA of story. Once the crisis or need for characters to make choices is set in motion, the writer needs to know when to withhold information. By recognizing the necessary shape of each scene, the shrewd writer will be able to control the reader’s growing concerns for the welfare of the characters and curiosity about the pathway to closure. The writer will come away from this session with a greater sense of how to open a scene, at what point the scene comes to a close, and when to put the reader to work to make for a memorable closing moment.

Three packed hours for $99. 
Register now!
Limited to 20 writers.

Poetry Workshop
Poems of Encounter: Translating Moments of Truth into Verse

Sunday, November 6, 9 am to noon

with poet, essayist, past poet laureate of Santa Barbara, and English professor,
Paul J. Willis

The workshop is broken into two parts. First, instructor and former Santa Barbara poet laureate Paul Willis will share and discuss sample poems of encounter, using them as a springboard for a number of group exercises.

During the second half of the workshop, writers will form small groups to take a stroll outside of the hotel on the beach. Willis calls this a Hike-Ku. Silently, group members will rotate as leader, pointing out objects of interest that everyone can respond to in a few lines of verse.  These short poems can then become building blocks for longer ones.

Writers are welcome to send one or two of their own poems in advance. As time allows, group members will be able to share both previous work and work-in-progress from the exercises of the day.
Three packed hours for $99. 
Register now!
Limited to 20 writers.


The Art of Article Writing Workshop

Sunday, November 6, 2 to 5 pm
with award-winning writer, photographer and visual artist, R. Daniel Foster

This intensive course delivers essential writing and marketing tools for aspiring and intermediate non-fiction article writers. We’ll explore profile, essay, investigative, personal experience, travel, reviews and short articles, among other forms.

Learn to generate, hone ideas, and fashion them into dynamic, on-target query letters –– and then gird your writing with innovative research. Participants will expand their regional and national market knowledge and acquire keys to developing ongoing editor relationships. 
  • Become a writer-entrepreneur. Learn the business of writing independently.
  • Know how to stand out amid the deafening herd in today’s democratized world of publishing.
  • Discover what impresses editors, know how to court them –– and then be savvy enough to leave them alone.
  • Maximize your income through resales.
  • The fine art of interviewing: how and when to play dumb, among other insider secrets.
  • Blah, blah, blah, blah. We’re going to cure you of that.
  • The basics of contractual agreements and publication rights.
  • Not a photographer? You’ll be one by the end of this seminar. Photography is key in today’s non-fiction publishing world.
 
Students are asked to bring two non-fiction article ideas to the seminar. Also be prepared to identify optimal publication markets for that idea.

Three packed hours for $99. 
Register now!
Limited to 20 writers.


 About the instructors…

R. Daniel Foster is an award-winning writer, photographer and visual artist. His publication credits include the Los Angeles Times, Esquire, Los Angeles Magazine, Houzz, The Advocate, and San Francisco Chronicle, among other outlets. He has also written and announced features for National Public Radio and Marketplace Radio. He has taught non-fiction and news writing courses at UCLA Extension, and California State University Long Beach and Northridge. His visual-based work (art video, documentary, theatrical projection design) has been featured by PBS, the LA Opera, Walker Art Center and the Hammer Museum. He has served as president of the California Writers Club, and as board member of the Independent Writers of Southern California. A skilled storyteller who often combines word and image, Foster is known for conveying meaning and message in unforgettable ways. www.rdanielfoster.com

Toni Lopopolo spent 20 years in New York City publishing, then took her street creds to open her literary agent in 1991.  Toni served as executive editor at Macmillan, then St Martin’s Press. As an acquiring editor, Toni reviewed the best projects sent to her by agents.  But as a new literary agent, Toni realized, by what writers sent to her agency as “finished” manuscripts, that most writers who approached her to represent them had not mastered the skills required. To impress a publisher enough to receive a contract on a first novel, a writer must know what skills he/she needs, then master those skills.  Toni, in her capacity as an editor, writing instructor, and literary agent, developed methods to help writers learn those skills, practice those skills, and, master them. Learn more at www.lopopololiterary.com

No wonder students flock to Shelly Lowenkopf’s classes and well-published professionals come to him now for consultations. He spent most of his years in the working side of publishing as a “shirt-sleeves” editor, acquiring and developing genre, mainstream, and literary fiction as well as dramatic biography and theme-based nonfiction inquiry. A versatile and ambitious writer as well, Shelly’s editorial skills reflect both sides of the desk.  His years of leading students to publishing contracts makes him an ideal other voice for Toni Lopopolo in demonstrating these necessary steps to significant and continued publication. Learn more at
http://www.lowenkopf.com

Paul J. Willis is a professor of English at Westmont College in Santa Barbara. His four full collections of poetry and his poems and essays have appeared in well over a hundred journals that include Poetry, Image, and Wilderness, and have also been anthologized in The Best American Poetry 1996 (Scribner’s), The Best Spiritual Writing 1999 (HarperSanFrancisco), The Best American Spiritual Writing 2004 (Houghton Mifflin), and The Best Christian Writing 2006 (Jossey-Bass).  More recently his poems have been featured on Verse Daily and The Writer’s Almanac. He completed a term of service as poet laureate of Santa Barbara for 2011-2013, and was a fall artist-in-residence at North Cascades National Park in 2014 and a spring creative resident at the North Cascades Institute in 2015.  This fall he served as a poet-in-residence at the Santa Barbara Museum of Natural History. Visit his website at pauljwillis.com
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805 Writers Conference • Produced by the Small Publishers, Artists & Writers Network(SPAWN)
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